50
meters of intimacy. Measuring (0 - 100) means getting things under control.
This control however is an illusion as the measure itself isn't but a convention.
Indeed, measures do compare, but they can't tell us anything about the power
of perception. Distance is rather related to "time" than to
"shape". One can't actually see this "0 - 100" as a whole, but each
fragment on the screen refers equally well to 1, 10, 1000..., to the unlimited
in space and time, i.e. infinity experienced in intimacy. In a discursive
context space must be reinvented over and over again in order to be discovered
and identified as the individual space, the social and the cultural, the political
and ecological, the religious and the free, the scientific and the artistic,...
"100 ATTEMPTS TO END 'MIMESIS' IN ART" is a formal concept : one-100 paintings and one-100 phrases.
****** The paintings on the wall, the phrases in a book.
****** The book also includes all images of all paintings.
****** For non-binding information go to contact page***********↓
Mimesis (/maɪˈmiːsəs/; Ancient Greek: μίμησις (mīmēsis), from μιμεῖσθαι (mīmeisthai), "to imitate", from μῖμος (mimos), "imitator, actor") is a critical and philosophical term that carries a wide range of meanings, which include imitation, representation, mimicry, imitatio, receptivity, nonsensuous similarity, the act of resembling, the act of expression, and the presentation of the self. (From Wikipedia, the free encyclopedia.) +$$++
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